Naturally, this effect will only work in modern browsers – IE9 does not support text-shadow, although IE10 does. The final six shadows in the declaration actually serve the purpose of ambient shadows, being offset to the left, right, and top of each letter, with added blur and transparency (in the form of rgba color values). The first 16 shadows are solid, slowly and subtly growing darker as they descend, creating the appearance of extruded text. (For this example I’m using em units rather than px for enhanced scalability, but almost any CSS unit of measurement would work). Just as with multiple background images in CSS, we separate multiple text shadows with commas, starting with those originating nearest the text element and working outwards.
3D TEXT CSS CODE
The code for the example at the top of this article is:įont-family: Blue Highway Arial Black, sans-serif Thankfully, text-shadow does not require CSS vendor prefixes. The CSS code is somewhat repetitive the main aspect to focus on is the changing vertical offset of the main shadows.
As we’ll see later, transferring the same technique to box-shadow can also create the effect of a raised or sunken button in CSS.
3D TEXT CSS SERIES
Very simply, we create extruded text appearance by creating a stacked series of CSS text-shadows. This is not “true 3D” but a fake-out real 3D text will have to wait for lessons in WebGL and CSS 3D transforms. The generated text from the content property is also given some styling, specifically the text is positioned absolutely to sit slightly offset from the original at 10px and 5px on each axis, and is switched to red to contrast against the blue.The technique I am demonstrating here isn’t one I made from scratch as far as I am aware, credit for origination should go to Mark Otto, a designer at Twitter the version that I’m showing derives from patterns created by Trent Walton. The text is then coloured using RGBa, which allows the aplha transparency to be set so that when overlayed the underlying colour will show through. Next up, the font styling is specified as 200px Helvetica with some letter-spacing tweaks to tighten up the example. Let’s add some extra CSS styling to overlay the two and bring in some colour.įirst up, the H1 element is converted to inline and positioned relatively to allow the absolute positioning of the generated text to work. So far we’ve just got two of the same word placed side by side. The title attribute should provide more information about the element, rather than regurgitate the same text. This provides a dynamic solution that could be implemented in WordPress, but it’s not 100% ideal as it doesn’t stay true to the natural use of the title attribute. What’s more, we can also use the content property to not only manually write in some text, but also ask it to take the content from a specific attribute such as the title.
3D TEXT CSS FREE
The :after pseudo element allows us to insert a snippet of content after the targeted header and adding our extra text in the CSS content property keeps our markup free of any wordage that shouldn’t be there, ensuring that it can’t be seen or read by screenreaders, RSS readers or search bots. Here’s where the content property and the :after pseudo element comes into play.
With the effect being more presentational or aesthetic than it is part of the content, we need to ensure it’s semantically correct. Using a span would be handy to provide us with something to target our CSS to and style up the two words to overlay on top of each other, but when reading aloud in the markup, and when viewed without CSS styling it’s simply wrong.
Therefore, we don’t want to use anything like this: To use the effect in our web designs we’ll, of course, build it with CSS, but the main consideration is to keep everything neat and true in our markup, without any repeated markup. What we’re creating is basically a cool transparency overlay effect that closely resembles anaglyph stereoscopic 3D images.
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